|
The Centre de Documentació i Museu de les Arts Escèniques (''Documentation Centre and Museum of the Performing Arts of the Institut del Teatre''), also known as MAE, is a centre for information and research on the performing arts in Catalonia, Spain.〔''(La Barcelona de les grans il·lusions )''〕 The centre has an extensive library, an archive and collections from the , which specializes in theatre, dance, opera, zarzuela, music hall, magic and circus performances. Its major collections encompass Catalonia and the Spanish Golden Age. The centre also has posters, programmes, photographs, pictures, puppet theatres, set designs and costumes which are exhibited in temporary exhibitions and online, since it has no permanent exhibition space. The museum is a member of SIBMAS (''Société Internationale des Bibliothèques et des Musées des Arts du Spectacle'') and ENICPA (European Network of Information Centres of the Performing Arts), and is part of the ECLAP European Project.〔ECLAP www.eclap.eu〕 In Catalonia, it is involved with the Consortium of Academic Libraries of Catalonia. == History == The museum's pioneer was theatre and music critic Marc Jesús Bertran. In 1912, Bertran presented a plan to Barcelona City Council and the Mancomunitat and began collecting objects and documents related to the performing arts. The Barcelona Museum of Theatre, Dance and Music was created in 1923. Bertran was its first director, and the first exhibition hall opened to the public in the Palau de les Belles Arts.〔Permanyer, LLuís ''(La Diputación tiene un museo oculto )''〕 That year the museum became part of the Escola Catalana d'Art Dramàtic, established as part of the cultural policy of the Barcelona Provincial Council (led by Enric Prat de la Riba, and the origin of the Institut del Teatre). A permanent exhibition space was inaugurated in 1936 at the Casa de la Misericòrdia in Career Elisabets in Barcelona, which remained its home until 1945 (when it moved with the library to the Palau Guell). The museum and library expanded their collections, adding thousands of documentary pieces, unpublished manuscripts, theatrical sketches, photographs, posters, programmes and costumes.〔Pérez, Manuel. “Figurinisme : Vestir Teatre”. TeatreBCN (Núm. 103), gener 2009. Pàgines 46-49〕 The library and collection of Artur Sedó (1881-1965), a Catalan textile businessman and bibliophile, were added in 1968. With over 90,000 titles this collection made the museum one of the largest theatrical bibliographic collections in Europe, with an outstanding collection of Catalan theatre from the late nineteenth and early twentieth centuries and the Spanish Golden Age.〔Cortés, Josep Maria. ''El legado de los Sedó''. La Vanguardia, 11/10/2009〕 During the late 1990s renovations began on the Palau Guell, and the MAE moved to a temporary venue in Career Almogàvers (in the Poblenou district) while the Institut del Teatre's permanent home was being built in Montjuïc, Barcelona. The new building opened in 2000, placing the museum, the archive and the teaching and historical libraries under one roof (when it adopted its present name). Since then the museum has focused on the documentation and digitalization of its collection, and in 2010 over 20,000 images were available online.〔''(Embrió escènic a la nevera )''〕〔(Història al web del Museu )〕 In March 2011, the Barcelona City Council agreed to transfer the Casa de la Premsa building, designed by the architect Pere Domenech i Roura and built for the 1929 International Exposition, to provide permanent exhibition space for the museum. In August 2012, Coordinator of Culture of the Barcelona Provincial Council Rosa Serra said that the project was being postponed "out of caution."〔''El fons bibliogràfic i documental de l'Institut del Teatre, a un clic''. Diari Ara. 3/02/2011〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Centre de Documentació i Museu de les Arts Escèniques」の詳細全文を読む スポンサード リンク
|